A near-perfect creator’s digicam if cash isn...

1 View 0

After a six-year wait, Panasonic’s S1 II is lastly right here and there is a lot to unpack. As you’d anticipate from this firm, it’s creator-centric with as much as 5.8K ProRes RAW inner video recording. On the identical time, it’s Panasonic’s quickest full-frame photograph digicam ever with 70 fps burst speeds and lowered rolling shutter distortion due to the brand new partially stacked 24-megapixel sensor. And with an AI-powered hybrid part detect system, autofocus is not a weak level because it was with the unique S1.

There may be one problem although, and a stunning one for Panasonic: the worth. The $3,200 S1 II is much like Nikon’s Z6 III, proper all the way down to the partially stacked sensor and inner RAW video. Nevertheless, the latter is a few $700 cheaper and might often be found on sale for even much less. Since Panasonic usually undercuts rivals, that places the S1 II within the uncommon place of being overpriced subsequent to the competitors. After testing it for the final month, I’ve discovered that whether or not it is price it will depend on your priorities.

Panasonic/Engadget

The S1 II is Panasonic’s finest creator digicam due to options like 6K RAW video and excellent stabilization, nevertheless it’s costly in comparison with the competitors.

Execs

Quick capturing speeds
Nice dealing with
Glorious video high quality
Greatest-in-class stabilization
Professional video options

Cons

Poor battery life
Costly

$3,200 at Amazon

Dealing with and design

The S1 II shares its wonderful physique design with the higher-resolution S1R II and the cheaper, non-stacked S1 IIe. It’s significantly lighter than the unique S1 at 1.76 kilos and far smaller as properly, each of which make it much less burdensome. It’s additionally straightforward to carry due to the massive ridged grip. Nevertheless, it’s extra angular and has a more durable rubber pores and skin than Canon’s rival EOS R6 II, so it’s not fairly as comfy over lengthy capturing periods.

The superb management structure makes the S1 II a breeze to make use of. It has all of the buttons and dials you want and so they’re properly positioned — significantly the joystick and management dials. There’s a devoted change for images, video and gradual and fast (S&Q) modes, and every has separate changes so that you received’t combine them up. It additionally has a devoted autofocus change, two video report buttons (prime and entrance), 10 different programmable buttons and a tally mild.

I not often wanted to seek for settings due to the logical color-coded tabs and easy-to-use fast menu, each accessible by contact or the joystick. Panasonic additionally made it easy to program buttons, dials and the fast menu to your private preferences and it means that you can save them to a reminiscence card as a backup.

The S1 II’s digital viewfinder is brilliant and sharp, matching the Z6 III with a decision of 5.76 million dots and 0.78x magnification. The rear show not solely swivels out but in addition tilts up and down for overhead or hip-level images. As compared, Nikon’s Z6 III display screen doesn’t tilt, so it’s not as versatile.

As with the S1R II, battery life isn’t a powerful level right here, with solely 360 photographs on a cost or 320 when utilizing the EVF. To be truthful, that matches the Z6 III precisely (and Panasonic’s non-stacked S1 II is barely barely higher at 380 photographs), however Canon’s cheaper R6 II has greater than twice the battery life at 760 photographs.

The S1 II is Panasonic’s best creator camera thanks to features like 6K RAW video and outstanding stabilization, but it’s expensive compared to the competition. — Steve Dent for Engadget

With a view to seize RAW video, the S1 II has a CFexpress Sort B card slot together with a slower SDXC UHS-II slot. Just like the S5 IIx and GH7 (and a number of other Fujifilm fashions), it additionally helps high-bandwidth RAW video seize to an SSD by way of the USB-C port.

The S1 II comes with a full-sized HDMI port that helps Blackmagic and ProRes RAW seize. You additionally get mic and headphone ports, and you may seize 32-bit float audio by way of the non-compulsory XLR2 accent to scale back the opportunity of clipping. Lastly, the S1 II has a carbon fiber curtain that comes down to guard the sensor like latest Canon and Sony fashions.

Efficiency

The S1 II can fireplace bursts at a pedestrian 10 fps in mechanical shutter mode, however helps an outstanding 70 RAW pictures per second with the digital shutter. And if you happen to’re fearful about skewed pictures, don’t fret. Distortion is minimal in digital mode due to the partially-stacked sensor that has a fast readout pace of round 12 milliseconds. That’s quick sufficient for sports activities or wildlife images, until the topic strikes very quickly.

Pre-burst seize, which begins once you half-press the shutter, can be out there on the highest speeds. That allows you to save as much as 1.5 seconds of images you may need in any other case missed when you totally press the shutter button. The buffer is a bit small, although, so you’ll be able to solely seize about three seconds (220 photographs) on the 70 fps pace.

The hybrid phase-detect autofocus is one of the best of any Panasonic digicam I’ve examined up to now. Nevertheless, it’s not but as much as Sony and Canon’s requirements for pace and accuracy, and falls a bit in need of Nikon’s Z6 III. For those who’re capturing a fast-moving topic on the most burst fee of 70 fps, you may even see quite a lot of out-of-focus images.

Panasonic S1 II review — Steve Dent for Engadget

The S1 II helps a number of AI modes — together with animals, birds and automobiles — on prime of human eye-tracking modes. I had blended success with these because the digicam had hassle locking onto the eyes of some birds and marine mammals I shot on the Vancouver Aquarium. Nevertheless, it was higher with extra typical animal topics like canines, cats, horses and geese. Panasonic additionally launched an AF mode referred to as City Sports activities that improves monitoring for breakdancing, skateboarding and parkour. I examined that mode with some skate boarders on the highest burst settings and noticed a excessive share (90-plus) of in-focus photographs.

One space the place Panasonic tops its rivals is stabilization. That’s been boosted to eight stops (barely in need of the R6 II’s eight and a half stops), which allowed me to shoot at shutter speeds all the way down to a half second and nonetheless get sharp photographs. And as I’ll clarify shortly, the S1 II is peerless with regards to video stabilization.

Picture high quality

I’ve been impressed with Panasonic’s coloration science of late, discovering that it matches Nikon in delivering a few of the most color-accurate pictures of any system. By comparability, Canon’s pictures skew hotter, and I really feel that Sony fashions just like the A7 IV lack some accuracy, significantly with blue-green colours.

The S1 II delivers pleasing JPEGs with a pleasant stability between sharpness and noise discount, although the latter can get overly aggressive at excessive ISO ranges. RAW pictures supply loads of element in mild and darkish areas of the picture, letting you tweak and proper to a advantageous diploma. Understand that utilizing the digital shutter in burst modes reduces RAW bit depth from 14 to 12.

The draw back of any stacked sensor is further noise, and the S1 II isn’t any exception. That is most obvious at larger ISO ranges the place the digicam reveals a bit extra grain than Panasonic’s S5, which has the identical decision however isn’t stacked. That stated, the S1 II has about the identical low-light prowess because the Z6 III and beats most totally stacked cameras.

<p>The S1 II is Panasonic’s best creator camera thanks to features like 6K RAW video and outstanding stabilization, but it’s expensive compared to the competition.</p>

<p></figure></div><div class=caas-carousel-slide><figure class=caas-carousel-figure role=img aria-label=

1 / 26

If the native 24MP decision isn’t sufficient, the S1 II presents a high-resolution mode that captures eight pictures with a barely offset sensor place and composes them right into a single 96-megapixel file (both RAW or JPEG). I used to be in a position to take sharp pictures in that mode with out the usage of a tripod due to the S1 II’s wonderful in-body stabilization system.

Video

The S1 II doesn’t shoot 8K RAW just like the 44MP S1R II on account of its decrease decision. Nevertheless, it does help 5.8K 30 fps ProRes RAW, open gate full sensor video and tremendous slow-mo (4K 120p) — all with far much less rolling shutter distortion. Due to that, I believe this can be a higher digicam general for creators.

After all, the S1 II presents 10-bit video in each MP4 and Quicktime codecs on prime of RAW. Panasonic’s V-Log can be on faucet to spice up dynamic vary, and due to a latest firmware replace, you’ll be able to pay $200 to get ARRI LogC3 to match that firm’s professional digital cinema cameras.

With that very same firmware replace, the S1 II now helps 17 body side ratios (up from 10), and permits simultaneous show of as much as three frames without delay (not like the LogC3 replace, these are free). That may allow you to shoot open gate, as an example, whereas seeing how the picture will look in each vertical and horizontal side ratios.

General, video high quality is excellent with sharp oversampling, wonderful coloration accuracy and first rate dynamic vary. The latter may be elevated utilizing Panasonic’s dynamic vary increase possibility, though that successfully doubles rolling shutter distortion. With out the setting enabled, skew from rolling shutter is barely a difficulty with whip pans or very fast-moving topics.

Video AF is stable, maintaining topics in focus so long as they don’t transfer too shortly. Face, eye, animal, city sports activities and automobile detection work properly, although you’ll see a bit extra accuracy and pace on Canon and Sony’s newest fashions.

The S1 II presents higher video stabilization than its rivals, although. Optical stabilization gives good outcomes for handheld video, whereas digital stabilization (EIS) gives gimbal-like smoothness at the price of a big crop. As with different latest Panasonic fashions, the S1 II additionally presents “cropless” EIS that corrects nook distortion when utilizing extensive lenses, whereas additionally decreasing rolling shutter.

Due to a built-in fan, overheating isn’t a difficulty with the S1 II. The one time I ever noticed an issue was with 5.8K at 60 fps and 5.1K open gate recording, when the digicam shut down after 50 minutes and 40 minutes respectively. That’s nonetheless wonderful for a small mirrorless digicam. These limits are eradicated, by the best way, if you happen to report to an SSD by way of the USB-C port.

Creators could surprise how the S1 II compares to Nikon’s Z6 III. The latter presents extra RAW choices, with the selection of 5.8K Nikon RAW (N-RAW) at as much as 60 fps reasonably than simply 30 fps. Each supply comparable video high quality as they use the identical sensor. The Z6 III has barely higher autofocus, however the S5 II has superior stabilization and dealing with. Lastly, the S1 II has some good professional options like timecode, waveform monitoring and professional audio. I’d say the S1 II is barely higher for video shooters, however the Z6 III is considerably cheaper.

Wrap-up

Panasonic’s S1 II is a robust hybrid digicam, and if it wasn’t so costly, it might be a no brainer for creators. Nevertheless, Nikon’s Z6 III has almost the identical video capabilities, is a greater digicam for images and prices a minimum of $600 much less, so I’m inclined to advocate that mannequin for many customers.

Another choice at a lower cost is Panasonic’s new $2,500 S1 IIe, which was introduced similtaneously the S1 II. It has the identical physique and largely the identical characteristic set, however makes use of the non-stacked sensor from the S5 II, so rolling shutter is extra of a difficulty.

For those who favor images, the higher-resolution S1R II is a greater possibility and prices simply $100 extra. Nevertheless, if you happen to’re a video professional who wants options like time code, ARRI LogC3 and superior monitoring or audio options, the S1 II is a stable alternative. These people would possibly need to watch for a sale although.

Trending Merchandise

Add to compare